Výzkumné klastry

Some of the research questions addressed are:

• How do digital transformations impact cultural practices and daily lives across different Asian societies?
• How are migrant and diaspora communities from Asia minoritized in European countries, including Czechia, and what are the implications?
• What are the challenges of transnational migration and how are they addressed?
• Which economic and environmental challenges do people in Asia face, how are they addressed among state- and non-state actors and which consequences does this have for residents?
• How are religious virtues intertwined with daily lives, for example, karate practitioners?
• How is the entangled history between Asia and Europe represented in museums and which postcolonial practices within museum collections can we implement?
• How are historical migrations, Islam, and transregional networks in the Muslim world connected?

Methodological approaches

We use a broad spectrum of methods, including participant observation for prolonged immersion in the field, multi-sited ethnography, multi-species ethnography, digital ethnography, remote ethnography, mental mapping, and visual (photo elicitation, filmmaking) and object analysis methods. Our researchers immerse themselves in the field through participant observation, engaging with and studying the daily lives of their collaborators over an extended period. However, as some researchers are also unable to go into the field for longer periods due to other commitments, they also go into the field for shorter periods. We use multi-sited ethnography to identify links between activities that take place in multiple locations. Digital ethnography, which has experienced an upswing during the corona pandemic, is well suited to tracing developments that take place in the digital sphere, from websites to social media, although this cannot be done in isolation from physical life. Mental maps offer a powerful means to understand how individuals perceive and interact with their environment, serving as a visual representation to examine the complex phenomenon of belonging and place attachment. We also employ video elicitation, photo elicitation, and ethnographic filmmaking to make use of the power of images. Our approach is participatory; we create knowledge together with citizens, NGOs, and policymakers, among others.

Regional expertise

The members of our research cluster study cultures undergoing transitions across diverse Asian regions, including Southeast Asia (Indonesia, Vietnam, Malaysia, Thailand), East Asia (China, Taiwan, Japan), Russia, Siberia, and Central Asia (Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan). We do not examine these regional developments in isolation but rather explore their interconnected nature. Accordingly, we also investigate questions that unpack the linkages between these regions, such as how migrants and diasporas from these Asian countries integrate into Europe, the challenges they face, and strategies to address them.

Activities

In the cluster, we present and discuss research in progress, discuss readings, facilitate guest lectures, and prepare joint research projects.

Current projects

Marie Sklodowska Curie Actions (MSCA)

Processual Decay Paradigm: Problematizing Museums and Asian Religions (PDP). Research project funded by OP JAK, Marie Sklodowska Curie Action (MSCA-CZ), carried out by Dr. Valentina Gamberi (Duration: 2024-2025; Advisor: Monika Arnez). This project traces the material decay historically and examines the reasons why Chinese folk gods were destroyed and / or collected by the Taiwanese and Europeans. It analyses why Christian missionaries collected and destroyed Chinese folk gods and to what extent these collecting practices still influence Taiwanese society. It aims to understand material decay through contemporary practices in Chinese-speaking countries and develops a methodology for material decay based on the principles of object analysis, archival, and ethnographic research. This methodology is also useful for provenance research or curatorial projects on other Chinese collections in Europe, like the Religionskundliche Sammlung at the Philipps University Marburg.

Muslim Identity in Southern Thailand (MIST): An Intergenerational Comparison(No. CZ.02.01.01/00/22_010/0013054). Research project funded by OP JAK, Marie Sklodowska Curie Action (MSCA-CZ), conducted by Dr. Martin Sturdik (Duration: 2025-2028; Supervisor: Dr. Imron Sohsan, Khon Kaen university). Based on extensive research in Southern Thailand. MIST primarily aims to explore how the identities of the younger Muslim generation differ from those of the older generation in southern Thailand, a region that has been plagued by violence for decades. Understanding shifts in identity is necessary for our understanding of the evolution of the conflict and prospects for its future resolution. The key question is whether the young people are more radicalized in terms of religion, ethnic affinity, and political aspirations, or whether their exposure to Thai culture and language has led them to be more appreciative of and integrated into Thai society. 

COST Actions

CA 21120 - History of Identity Documentation in European Nations: Citizenship, Nationality, and Migration(HIDDEN). HIDDEN examines how states facilitate or hinder citizens' access to identification, the role of technology in this process, and the ethical dimensions of access to historical personal data. By linking historical research on identity documents with modern digital identification methods and applicable laws, HIDDEN explores topics such as identity, citizenship, and migration. Monika Arnez, a member of the Management Committee for this COST Action in Czechia, examines the role of AI-generated responses, anonymized testimonies from migrants, and migrant experiences in understanding their experiences related to border surveillance technologies, including drones.  

IGA Projects

IGA_FF_2025_036 – Commodification of Siberian Taiga: from “nature” to “Chinese” timber product (PI: Iuliia Koreshkova; Supervisor: Natalia Ryzhova). This project, part of Iuliia Koreshkova’s PhD research, explores the commodification of Siberian nature through the transformation of taiga trees into timber products destined for export to China. Focusing on the post-Soviet period, the research investigates how rural Siberian settlements—once integrated into a centralized Soviet timber system—have adapted to new realities marked by the collapse of state infrastructure, privatization, and the emergence of informal economic ties. The project examines the growing involvement of Chinese enterprises in these regions and how their economic practices intersect with, disrupt, or are co-opted by local communities. By analyzing the complex entanglements between Chinese and Russian actors in the timber sector, the study sheds light on how local "nature" becomes commodified through transnational collaboration, reflecting broader dynamics of resource extraction, survival strategies, and economic reorientation. 

IGA_FF_2025_033 – Forced changes to dance performances with Lengger masks in Wonosobo after 1965 (PI: Musokhib Musokhib; Supervisor: František Kratochvíl). This research focuses on how various lengger mask dance groups in Wonosobo interpret and perform the lengger mask dance, and what this reveals about local cultural dynamics since 1965. a characteristic dance and a living cultural heritage for the people of Wonosobo (Central Java, Indonesia) and also serves as a means of social ceremony in society or as entertainment. The dance is referred to as a mask dance because the dancers wear sacred wooden masks to reinforce their character and a means of spiritual possession manifested as trance. This research is qualitative, using ethnographic methods, where what people have seen and experienced is recorded directly in the field, and interviews are conducted with people about human life, social structure, and cultural aspects. 

Previous projects

Marie Sklodowska Curie Actions (MSCA)

Malaysian Reclaimed Landscapes: Urbanization, Heritage, and Sustainability along the Littoral (ID: 101062825) (MaReLand). Research project funded by the European Commission, Marie Sklodowska Curie Action (MSCA) project by Dr. Pierpaolo De Giosa (Duration: 2023-2024; Supervisor: Monika Arnez). MaReLand analyses environmental activism and the critique of heritage hierarchy and examines urbanisation at sea to explore how rights to the city and the sea are negotiated. Based on extensive research in Malaysia, MaReLand will also analyse compensation policies for artificial islands, drawing on recent developments in Penang and Langkawi.

The sociocultural formation of prices in Mongolian medicinal plant supply chains (ID: 101090330) (PLANTECON). Research project funded by the European Commission, Marie Sklodowska Curie Action (MSCA/ERA), carried out by Dr. Hedwig Waters (Duration: 2023-2024; Supervisor: Monika Arnez). Based on extensive field research in Mongolia, PLANTECON investigates from an economic anthropological perspective how Fang Feng and liquorice root plants are traded, why they are highly valued and what role different actors play in this context, from collectors to consumers to experts on these plants. The project offers new insights into pricing, aspects of wildness and domestic nature of the plants and interactions between humans and plants.

COST Actions

CA 18215 - China in Europe Research Network (CHERN). This COST action aims to consolidate research on China's economic engagements with Europe, develop a comprehensive understanding of their impacts and strategies, analyze political and geo-political consequences, and provide policy input involving relevant stakeholders. Natalia Ryzhova, a member of this network, contribute diverse expertise to the project. Natalia Ryzhova's work examines the role of Chinese labor in European agriculture, particularly in the context of Sino-Russian cooperation.

IGA Projects

IGA_FF_2024_042 - Exploring multifaceted subjective values of Mahasthangarh archaeological heritage site, Bangladesh: a photo elicitation study (PI: Ahmed Sharif; Supervisor: Monika Arnez). This study, which is part of Ahmed Sharif's PhD project, explores the personal meaning that residents attach to the archaeological site of Mahastangarh in Bangladesh. Using the interview technique of photo-survey, this project aims to document how residents talk about, remember, and interact with the site. In this way, the value of the site for people in their daily lives will be further illuminated, going beyond the authorized discourse on cultural heritage.

IGA_FF_2024_042 - Exploring multifaceted subjective values of Mahasthangarh archaeological heritage site, Bangladesh: a photo elicitation study (PI: Ahmed Sharif; Supervisor: Monika Arnez). This study, which is part of Ahmed Sharif's PhD project, explores the personal meaning that residents attach to the archaeological site of Mahastangarh in Bangladesh. Using the interview technique of photo-survey, this project aims to document how residents talk about, remember, and interact with the site. In this way, the value of the site for people in their daily lives will be further illuminated, going beyond the authorized discourse on cultural heritage.

Special equipment

MatKulLab

Kateřina Šamajová works in the Laboratory of Material Culture (MatKulLab), together with Pavla Kučerová and Lukáš Kučera. In this laboratory, diverse material artifacts such as jewelry, cloth, daggers, and plant seeds from Asia and Europe, are examined. Advanced researchers and students carry out their work in the laboratory. If you are interested to know more, please contact Kateřina Šamajová.

How can you contribute?

Are you interested to learn more? If you are interested in participating in the cluster, please send a message to the research cluster head: monika.arnez@upol.cz.

People

Cluster head: Prof. Dr. Monika Arnez

Members: Dr. Valentina Gamberi, Mgr. Iuliia Koreshkova, Dr. Filip Kraus, Dr. Mai Thi Thu, Dr. Petra Maveekumbura Karlova, Musokhib Musokhib (MA), Dr. Azim Malikov, Dr. Natalia Ryzhova, Dr. Kateřina Šamajová, Le Van Tuyen (MA), Mgr. Ahmed Sharif and Dr. Martin Šturdík

Former Members: Dr. Hedwig Waters, Dr. Pierpaolo De Giosa

 

Current members and their main areas of expertise

Below are the current members of DAS-Arts, their regional foci and main areas of expertise:

Veronika Abbasová 
Japan: Literature, translation, gender studies, fan culture. 

Jan Brzobohatý
China / Central Asia: Language, literature (20th century and contemporary), oral tradition (Turkic folk singers aqyns), ethnicity, culture, religion. 

Kamila Hladíková
China / Tibet: Post-Cultural Revolution and contemporary literature, film, popular culture, Sinophone studies, representations of Tibet in the PRC in literature, cinema, popular culture, tourism. 

Ahmet Hojam
Central Asia / China. History, culture, language, Islam, Turkic world. 

Petr Janda
Taiwan, China: Literature, translation, film history, modern Taiwanese society, indigenous peoples of Taiwan.

Filip Kraus
Vietnam: Literature, postcolonial studies.

Petra Lee
Korea: Literature and history, mainly of the Koryeo period (10th–14th centuries) and secondarily of the Choseon period (14th century–1910). 

Ondřej Pokorný
Indonesia / Southeast Asia: Culture and cultural transmission / diffusion, pre-colonial and colonial studies, visual culture. 

Rudolf Schimera
Japan (main); Korea, Hong Kong, Taiwan, Southeast Asia (secondary): History of cinema, production history, international reception of Asian cinema, cinema of New Waves, Asian film genre cinema, Asian silent cinema. 

Andreas Schirmer
Korea: Literature, translation studies, cultural studies, discourse studies.

Gábor Sebö
Korea (North and South): cinema, transnational cooperation, film innovations. 

Renáta Sedláková
Czech Republic: Culture, digital religion, alternative spirituality, Roma minority. 

Giorgio Strafella
China: Contemporary art and art criticism, avant-garde currents in visual art, intellectual history, postsocialist political discourse and ideology.

Vit Ulman
Japan: Literature, cultural contact. 

Quen Yee Wong
Sinophone regions including China, Hong Kong, Taiwan and Singapore: Trans and queer representation in cinema, currently focusing on Sinophone cinema and the concept of renyao and transtopia, women's cinema, documentaries, film production, feminism, gender studies. 

Current and recent projects

Here are some of the ongoing and recently completed research projects by members of DAS-Arts:

“Depiction of Migration in Texts of Authors of Dungan and Salar Nationality”. IGA_FF_2024_045: 03/2024–12/2025. PI: Jan Brzobohatý; Supervisor: David Uher.

“Unlocking Korean Through Hanja: Enhancing Learning with a Tailored Textbook for Czech Students”. IGA_FF_2025. Researcher: Kristina Folvarčná; Supervisor: Petra Lee.

“Representations and Role of Tibetan Buddhism in Narratives about Tibet from 1950s to Present”. Czech Science Foundation Grant (No. 23-06406S), 2023–2025. PI: Kamila Hladíková.

“The Origins of South Korea’s ‘Humor Series’”. Academy of Korean Studies, Research Grant, 2024–2025. PI: Andreas Schirmer.

“Digital Humanities for Korean Studies”. Advanced Seed, Korean Studies Promotion Service / Academy of Korean Studies), 2022–2027. PI: Andreas Schirmer.

“Political Debate in Sinophone Critical Art Discourse (PAINT)”. OP JAC Project ‘MSCA Fellowships at Palacký University I’ CZ.02.01.01/00/22_010/0002593, 01/2023–12.2024. ER: Giorgio Strafella.

“Transgender Characters in Sinophone Cinema as Renyao”. 2024–2026. Researcher: Quen Yee Wong; Supervisor: Giorgio Strafella.

Publication highlights

Here are a few highlights from recently published research by members of DAS-Arts:

Luboš Bělka and Kamila Hladíková, editors. Jan Vinař: Tibet – a Country Where People Have Leapt a Thousand Years Forward. Palacký University Press, 2024.

Jan Brzobohatý, “Analýza orientalismu ve filmech s Jamesem Bondem”. Orientalismus 4 1/2. Palacký University Olomouc, 2022, 37-47.

Petra Lee, translator & editor. Vyprávění o Sim Čchŏng · Vyprávění o Unjŏng. Palacký University Olomouc, 2023.

Andreas Schirmer. “Re-invented in Translation? Korean Literature in Literary Chinese as one Epitome of Endangered Cultural Heritage.” In Andrew David Jackson, Codruța Sîntionean, Remco Breuker and CedarBough Saeji, editors. Invented Traditions in North and South Korea. University of Hawai‘i Press, 2021, 176-218.

Andreas Schirmer. “The Drama in the Sentence: Sequence as a Crucial Challenge for Literary Translation from and to Korean.” European Journal of Korean Studies 21.1, 2021, 1-41.

Gabor Sebo. “The New Visions of Shin Sang-ok in North Korean Cinema.” In Dal Yong Jin, Yong-Chan Kim, Soomin Seo and Seungahn Nah, editors. Locating North Korea in Communication Research. Routledge, 2025, 126-150.

Gabor Sebo. “Uncommon Crossroads of North Korean Film: Cinematic Dreaming with the Big Brother.” In Travis Workman, Dong Hoon Kim and Immanuel Kim, editors. The Bloomsbury Handbook of North Korean Cinema. Bloomsbury Publishing, 2025, 293-314.

Gabor Sebo. “Far from Flawless Socialist Cinema: Shifting Hungarian Judgments of North Korea’s Ceaseless Cinematic Schematism.” Seoul Journal of Korean Studies 37.2, 2024, 137-179.

Giorgio Strafella. “The Shiny Body of the Good Soldier: Identity and the Corporeal in Shen Jingdong’s Art”. In Halina Zawiszová, Giorgio Strafella and Martin Lavička, editors. Embodied Entanglements: Gender, Identity, and the Corporeal in Asia. Palacký University Press, 2025, 351-378.

Giorgio Strafella, curator. “The Transmutations of Time: A Retrospective Exhibition on Yang Zhichao’s Performance Art.” Display, Prague, 19.12.2024-19.01.2025.

Giorgio Strafella and Daria Berg. “Body Art in China: Yang Zhichao’s Diary from a Psychiatric Ward”. positions: asia critique 31.3, 2023, 571-596.